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塔尔萨清唱剧合唱团
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塔尔萨清唱剧合唱团
       As one of the top-class art organizations in Oklahoma, Tulsa choir contributes to show the most understanding choral music. Since 1992,the Tulsa choir has 100 talented and dedicated volunteers and musicians who have enthusiasm in choral music and classic music.The mission of the Tulsa choir is to bring the choral works to the audience in Tulsa and surrounding areas. Annually, TulsaholdsChoral Masters Concerts and tours in Mexico, Greece, Italy, Britain and Ireland.
       塔尔萨合唱是美国俄克拉荷马州的顶级艺术机构之一,致力于展示最优秀的合唱音乐。自1992年开始,塔尔萨合唱团先后由100个有才华和事业心的志愿者和音乐家组成,他们都热爱合唱音乐和古典音乐。塔尔萨合唱团的使命是将合唱作品奉献给塔尔萨市和周边地区的观众。除了举办一年一度的合唱大师系列音乐会外,塔尔萨合唱团每年都在墨西哥、希腊、意大利、英国和爱尔兰举行巡回演出。

Tim Sharp.Piano
       Tim Sharp is Executive Director of the American Choral Directors Association, the world’s largest association of choral conductors, students, scholars, composers, and choral industry representatives. Dr. Sharp pursues an aggressive agenda of strategic planning and innovative initiatives to keep the American Choral Directors Association energized and relevant in the 21st century. He represents choral activity in the United States to the International Federation for Choral Music, is Vice-President of the Musical International database, and appears regularly as guest conductor and choral clinician throughout the world.
       蒂姆•夏普是美国合唱指挥家协会(ACDA)的执行理事。美国合唱指挥家协会是世界上最大的合唱协会,由合唱指挥家、学生、学者、作曲家和合唱领域的代表共同组成。夏普博士致力于积极的战略规划和创新活动,使美国合唱指挥家协会在21世纪充满活力,占有一席之位。他代表美国参加国际合唱音乐联盟,是国际音乐数据库的副主席,并经常担任全世界合唱活动的客座指挥。
       Tim is in his ninth season as Artistic Director of the Tulsa Oratorio Chorus, Tulsa, OK, where critics characterize his performances as having “stunning power” and “great passion and precision”. In a recent review of the Tulsa Oratorio Chorus’ performance of Mozart’s Requiem, arts critic James Watts stated, “The Tulsa Oratorio Chorus, prepared by its artistic director Tim Sharp, was in excellent form, summoning up rafter-shaking power…and showing great sensitivity ...”
       蒂姆担任塔尔萨清唱合唱团的艺术总监已第九个季了。评论家认为他的表演具有惊人的力量,充满巨大的激情,细节精准到位。在最近一篇关于塔尔萨清唱合唱团表演莫扎特《安魂曲》的评论中,艺术评论家詹姆士•华特认为,“合唱团在艺术总监蒂姆的精心准备下,呈现出卓越的状态,唤起了震撼力……表现出极大的敏感度……”
       Dr. Sharp is Principal Guest Conductor of the Leonardo Da Vinci International Choral Festival in Florence, Italy. In 2016, he served as chorus master for the annual Classical Musical Festival, Eisenstadt, Austria, where Tulsa Oratorio Chorus performed Joseph Haydn’s Stabat Mater, Mass in Time of War, and Beethoven’s Symphony No. 9 (Choral).
       夏普博士是意大利佛罗伦萨达芬奇国际合唱节的首席客座指挥。2016年,他担任了奥地利艾森施塔特市一年一度的古典音乐合唱团的指挥,在那里,塔尔萨的清唱剧合唱团演出海顿的《圣母悼歌》和《战争弥撒》以及贝多芬的第9交响曲(合唱)。
       In 2011, Sharp served as Principal Guest Conductor at the International Festival of the Aegean in Syros, Greece, where TOC was the featured chorus in the production of Verdi’s La Traviata, and performed Rachmaninov’sAll Night Vigilat St. Nicholas Greek Orthodox Church. 
       2011年夏普在希腊希洛斯岛国际爱琴海节出任首席特邀指挥,塔尔萨清唱团作为特色合唱团表演了威尔第的《茶花女》,在圣尼古拉斯东正教堂表演了拉赫曼尼诺夫的《晚祷》。
       He made his New York City Alice Tully Hall debut in 2014 conducting Handel's Messiah. Tim returned to Carnegie Hall in April of 2017 for the eighth time, on this occasion conducting his composition Come Away to the Skies: A High Lonesome Bluegrass Mass. Tim has conducted and played bluegrass banjo on this work in over one hundred performances throughout the United States, Canada, England, and Ireland. Critics have characterized this multi-movement work as “dynamic”, “crowd-pleasing”, and described the composition as “…unfailingly true to itself, lacking in pretense, simple, direct, and heartfelt.” 
       2014年他指挥汉德尔的弥赛亚(Messiah)在纽约市爱丽丝图利音乐厅登台亮相。
       2017年4月他第八次重归卡耐基音乐厅,指挥他的作品-《走向天空》。蒂姆在美国、加拿大、英格兰和爱尔兰举办的一百多场演出中,指挥并演奏了蓝草音乐班卓琴,评论家们将这种复杂的音乐形式描述为“动态的”,“大众喜闻乐见的”,并将他的作品描述为“一如既往地忠于自我,不矫揉造作,简单、直接、发自内心的”
       Before coming to ACDA, Sharp was Dean of Fine Arts at Rhodes College, Memphis, TN, where he held the Elizabeth Daughdrill Endowed Chair in Fine Arts. At Rhodes, Tim conducted Rhodes Singers and MasterSingers Chorale.
       在到美国合唱指挥家协会工作之前,夏普曾在美国田纳西州孟菲斯罗德学院担任美术学院院长,同时担任Elizabeth Daughdrill艺术学讲席教授,还指挥过罗德唱诗班。
       In 2003, Sharp’s production of Puccini’s Gianni Schicchi won an Ostrander Award, Memphis’ annual award for excellence in theater. While in Memphis, Tim served as archivist for The Blues Foundation, and returns to Memphis each year to adjudicate the International Blues Challenge. Prior to his position in Memphis he was Director of Choral Activities at Belmont University, Nashville, TN, where he conducted the Belmont University Chorale and Oratorio Chorus. While in Nashville, he received choral credits on the Grammy Nominated and Dove Award winning recording, A Glen Campbell Christmas.
       2003年,夏普指挥的作品-普契尼的《贾尼•斯基基》获得了Ostrander奖和孟菲斯年度戏剧卓越奖。在孟菲斯时,夏普是蓝调音乐基金会的档案管理员,每年都会返回孟菲斯担任国际蓝调音乐比赛的评委。而在去孟菲斯之前,是田纳西州纳什维尔贝尔蒙特大学合唱乐团主任,指挥贝尔蒙特大学唱诗班和清唱合唱团,在纳什维尔,他获得了格莱美提名和白鸽奖。
       Dr. Sharp’s publications include Collaborating in the Ensemble Arts: Working and Playing Well with Others, Mentoring in the Ensemble Arts: Helping Others Find Their Voice, Precision Conducting, Up Front! Becoming the Complete Choral Conductor, Achieving Choral Blend and Balance, Memphis Music Before the Blues, Nashville Music Before Country, Jubilate! Amen!,The German Songbook in the 19th Century, A Short History of the American Choral Directors Association, Collaborative Creativity, and a wide variety of published articles, essays, and CD liner notes for recordings by Helmuth Rilling, Iona Brown, Neville Marriner, Michael Kelly Blanchard, and The King’s Singers. His most recent book publications include the historical-critical edition Johannes Herbst: Hymns to be Sung at the Pianoforte, published by Steglein, and Innovation in the Ensemble Arts: Sustaining Creativity, published by GIA.
       夏普博士出版物包括在整体艺术领域的合作:与他人一起工作和演奏,指导整体艺术:“帮助其他人找到他们的声音,精确的指挥,在前面”!成为完整的合唱指挥,达到合唱的融合和平衡,孟菲斯的音乐在蓝调之前,纳什维尔的音乐在乡村,欢呼!阿门!在第十九世纪的德国歌曲,短的美国合唱指挥协会协同创新的历史,以及各种各样的发表文章,文章,和CD班轮笔记由Helmuth Rilling、Iona Brown、马里纳、Michael Kelly Blanchard的录音,和国王歌手合唱团。他的最新著作的出版物包括历史批判版赫伯斯特(Johannes Herbst):诗是在钢琴唱由Steglein发表、创新集合艺术:持续创造力,出版由GIA
       Dr. Sharp’s choral compositions and arrangements exhibit his interest in conceptual programming, exemplified by the choral collection Salvation is Created, An Early American Service of Lessons and Carols, the Integra Music young voices series including Christmas Messiah for Young Voices and Vivaldi’s Gloria for Young Voices, his own choral series through Gentry Publications, and his self-published bluegrass mass, co-created with Wes Ramsay, Come Away to the Skies: A High Lonesome Bluegrass Mass.
       夏普博士的合唱作曲和编曲表现出他对概念编排的兴趣,在赞美诗合集《救赎就是创造》,写给青年人的音乐合集《给青年歌手的圣诞弥赛亚》《给青年歌手的维瓦尔第的荣耀经》,Gentry出版社发行的合唱专辑系,私人出版的蓝草音乐,以及和Wes Ramsay共同谱写的《走向天空》都是很好的证明。
       Tim received his education at Bluefield College (AA), Belmont University (BM); The School of Church Music, Louisville, KY (MCM; DMA); and studied further at the Aspen Music School, Aspen, CO; the NEH Medieval Studies program at Harvard University, Cambridge, MA; throughout Belgium on a Rotary Scholarship; and at Cambridge University (UK), where he is a Clare Hall Life Fellow.
       蒂姆是布鲁菲尔德学院准文学士,贝尔蒙特大学音乐学士,美国肯塔基州路易斯维尔教堂音乐学院音乐艺术博士,美国科罗拉多州亚斯本音乐学院进修,哈佛大学和剑桥大学美国人文学科捐赠基金艺术硕士,获比利时扶轮奖学金,英国剑桥大学克莱尔学院终身院士。
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